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All About David Wood - Biography
1944-
Nationality: English
Place of Birth: Sutton, Surrey, England
Genre(s): Children's fiction; Plays; Screenplays
Award(s):
Nottinghamshire Children's Book of the Year Award, 1990, for Sidney the Monster.
- Writer of Tom's Midnight Garden (based on the book by Philippa Pearce) the Unicorn Theatre production of which won the Equity Award for Best Show for Children and Young People, 2001.
- Writer of Tom’s Midnight Garden (based on the book by Philippa Pearce) the Library Theatre production of which won the Equity Award for Best show for Children and Young People, 2003.
- Winner of Distinguished Playwriting Award, 2003 for SPOT'S BIRTHDAY PARTY (based on the books by Eric Hill). Presented by the American Alliance of Theatre and Education.
- In 2004 he was awarded an OBE for services to literature and drama in the Queen's birthday honours.
- Winner of Distinguished Playwriting Award, 2007 for DANNY THE CHAMPION OF THE WORLD (based on the book by Roald Dahl). Presented by the American Alliance of Theatre and Education.
- Olivier Award nomination 2012, Best Entertainment and Family for THE TIGER WHO CAME TO TEA (based on the book by Judith Kerr) 2012.
- Best Musical Production, Theatre UK Awards 2012 for THE GO-BETWEEN.
- Olivier Award 2013, Best Entertainment and Family for GOODNIGHT MISTER TOM. (adapted from the book by Michelle Magorian)
- Astrid Lindgren Memorial Award, nominated for the Astrid Lindgren Memorial Award, 2019
Personal Information: Family: Born February 21, 1944, in Sutton, Surrey, England; son of Richard Edwin and Audrey Adele (Fincham) Wood; married Sheila Ruskin, 1966 (marriage dissolved, 1970); married Jacqueline Stanbury (an actress), January 17, 1975; children: Katherine, Rebecca. Education: Worcester College, Oxford, (B.A. with honors), 1966. Avocational Interests: Writing, conjuring, collecting old books. Memberships: British Actors Equity Association, Society of Authors and the Inner Magic Circle (with Gold Star). Addresses: Agent: (for plays) Casarotto Ramsay & Associates Ltd., 3rd Floor, 7 Savoy court, The Strand, London, WC2R OEX, England; (for children's books) Eunice McMullen, Low Ibbotsholme Cottage, Off Bridge Lane, Troutbeck Bridge, Windermere, Cumbria LA23 1HU, England.
Career: Actor, composer, producer, director, and playwright. W.S.G. Productions Ltd., director, 1966 - 2011; Whirligig Theatre (touring children's theatre company), cofounder and director, 1979 - 2003; Verronmead Limited (television production company), cofounder and director, 1983 - 2006; Westwood Theatre Productions, cofounder and director, 1986 - 1994. W2 Productions, cofounder and director, 1995 -- Member of drama advisory panel of Arts Council of Great Britain, 1978-1980. President, Action for Children's Arts, 2016 --, Board Member, Polka Children's Theatre, 1979 --, Trustee, Wimbledon Theatre, 1996 – 2003. Trustee, The Story Museum, 2006 - 2021. Recipient of the JM Barrie Award, 2017.
WRITINGS
BY THE AUTHOR:
CHILDREN'S
PLAYS
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The Tinder Box
(two-act; adaptation of a story
by Hans Christian Andersen), produced in Worcester, England, at
Swan Theatre, 1967. |
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Lyrics
for Cinderella
(book by Sid Colin, music by John
Gould), produced in Glasgow, Scotland, 1968. (With
Sheila Ruskin) |
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The Owl and the Pussycat Went to See.
. . (two-act musical;
adaptation of works by Edward Lear; produced
in Worcester at Swan Theatre, 1968, and in London at Jeannetta
Cochrane Theatre, 1969), Samuel French (London), 1970. (With
Ruskin) |
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Larry the Lamb in Toytown
(two-act musical;
adaptation of stories by S. G. Hulme Beaman; produced in Worcester
at Swan Theatre, 1969, and in London at Shaw Theatre, 1973), Samuel
French, 1977. |
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The
Plotters of Cabbage Patch Corner
(two-act musical; produced
in Worcester at Swan Theatre, 1970, and in London at Shaw Theatre,
1971, and 1972, plus tour including London 1979), Samuel French,
1972. |
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Flibberty
and the Penguin
(two-act musical; produced in Worcester
at Swan Theatre, 1971, and on tour 1978), Samuel French, 1974. |
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Tickle (produced on tour in England, 1972, and in London at Arts Theatre,
1977), Samuel French, 1978. |
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The
Papertown Paperchase (two-act musical; produced in Worcester
at Swan Theatre, 1972, and in London at Greenwich Theatre, 1973
and tour including London 1984), Samuel French, 1976. |
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Hijack
over Hygenia (two-act musical; produced in Worcester
at Swan Theatre, 1973), Samuel French, 1974. |
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Old
Mother Hubbard
(two-act musical; produced in Hornchurch,
Essex, England, at Queen's Theatre, 1975), Samuel French, 1976. |
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Old
Father Time
(two-act musical; produced in Hornchurch,
Essex, at Queen's Theatre, 1976), Samuel French, 1977. |
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The
Gingerbread Man
(two-act musical; produced in Basildon,
Essex, England, at Towngate Theatre, 1976, and in London at Old
Vic, 1977 and many London seasons and tours since), Samuel French,
1977. |
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Mother
Goose's Golden Christmas
(two-act; produced in Hornchurch,
Essex, at Queen's Theatre, 1977), Samuel French, 1978. |
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Nutcracker
Sweet
(two-act; produced in Farnham, Surrey, England,
at Redgrave Theatre, 1977, and in London, 1980), Samuel French,
1981. |
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Babes
in the Magic Wood
(two-act; produced in Hornchurch, Essex,
at Queen's Theatre, 1978), Samuel French, 1979. |
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There
Was an Old Woman . . .
(two-act; produced in Leicester,
England, at Haymarket Theatre, 1979), Samuel French, 1980. |
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Cinderella
(two-act; produced in Hornchurch, Essex, at Queen's Theatre, 1979), Samuel French, 1980. |
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The
Ideal Gnome Expedition
(produced as Chish 'n' Fips, Liverpool,
England, 1980; produced as The Ideal Gnome Expedition, on tour
and in London, 1981), Samuel French, 1982. |
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Aladdin
(produced in Hornchurch, Essex, 1980), Samuel French, 1981. |
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Robin Hood
(With Dave and Toni Arthur) (produced in Nottingham, England, 1981, and in London, 1982), Samuel French, 1985. |
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Meg
and Mog Show
(adaptation of stories by Helen Nicoll and
Jan Pienkowski; produced in London, 1981), Samuel French, 1984. |
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Meg
and Mog: Four Plays for Children,
(adaptation of the
full length play) Puffin, 1994. |
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Dick
Whittington and Wondercat
(produced in Hornchurch, Essex,
1981), Samuel French, 1982. |
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Jack
and the Giant
(produced in Hornchurch, Essex, 1982),
Samuel French, 1987. |
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The
David Wood Magic and Music Show
(produced in London and
on tour, 1982.)
|
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The
Selfish Shellfish
(produced in Farnham, Surrey, England,
and London, 1983), Amber Lane Press (Summertown, Oxford), 1983,
Samuel French, 1983. |
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Jack the Lad (With Dave and Toni Arthur) produced in Manchester, England, 1984, Samuel French 1991. |
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The
Old Man of Lochnagar
(adaptation of the story by Prince
Charles; produced in Aberdeen and London, 1986), Amber Lane Press,
1986. |
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Dinosaurs
and All That Rubbish
(music by Peter Pontzen; adaptation
of the story by Michael Foreman; produced in Denbigh, Wales, 1986,
and in London, 1988), Samuel French, 1986 and Amber Lane Press,
1986. |
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The See-Saw Tree
(produced in Farnham, Surrey,
1986, and in London, 1987), Amber Lane Press, 1987, and Samuel
French, 1987. |
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Play
Theatre
(includes The Nativity Play and Jack and the
Beanstalk), two volumes, illustrated by Richard Fowler, Pavilion
(London) and Holt (New York City), 1987. |
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The Pied Piper
(With Dave and Toni Arthur) (based on the poem by Robert Browning) (Exeter and tour) 1988, Samuel French, 1991. |
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Save
The Human
(based on the story by Tony Husband and David
Wood) Cambridge, London and tour 1990, Samuel French 1990. |
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(Adaptor) The BFG
(Big Friendly Giant) (adapted for the
stage from the book by Roald Dahl) London and tour, 1991, Samuel
French, 1991. |
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The
BFG: Plays for Children,
(adaptation of the full-length
play) illustrated by Jane Walmsley, Puffin, 1993. |
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(Adaptor) The Witches
(adapted for the stage from the book
by Dahl) London and tour 1992, Samuel French, 1994. |
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(Book,
Music, Lyrics) Rupert and the Green Dragon: A
Musical Play, (based on the Rupert stories and characters by Mary
Tourtel and Alfred Bestall, (Leatherhead, England, and tour) 1993,
Samuel French (London, England, New York, NY), 1997. |
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(Adaptor) Noddy,
(adapted for the stage) (from the book
by Enid Blyton) London and tour 1993, Samuel French, 1995. |
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The
Christmas Story,
(a nativity play) A and C Black 1996. |
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(Adaptor) Babe, the Sheep-Pig,
(adapted from
the book The Sheep-Pig by Dick King-Smith, (London and tour, 1996)
Samuel French (London, England, New York, NY) , 1997. |
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The Forest Child
(opera, adapted from the book by Richard Edwards) Music by Derek Clark. Welsh National Opera tour 1998. |
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More
Adventures of Noddy
(based on the stories of Enid Blyton)
London and tour 1998, Samuel French 1998. |
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(With Janet Grant) Theatre for Children: Guide to Writing,
Adapting, Directing, and Acting,
Faber and Faber, 1997
and Ivan R. Dee (Chicago, IL), 1999. |
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The Twits
(adapted from the book by Roald Dahl) Coventry, tour, London, 1999 published Samuel French. |
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Spot's Birthday Party
(based on the books by Eric Hill) London and tour 2000, Samuel French 2002. |
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The
Lighthouse Keeper's Lunch
(one-act play with music) (based
on the book by David and Rhonda Armitage), Oxford Playhouse, 2000. |
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Fantastic
Mr Fox
(adapted for the stage from the book by Roald
Dahl), Belgrade Theatre, Coventry 2000. |
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James and the Giant Peach
(adapted for the stage
from the book by Roald Dahl), Cardiff and Birmingham and tour
2001. |
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Tom's Midnight Garden
(based on the book by Philippa
Pearce) London and tour, 2001, Samuel French 2001. |
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The Twits: Plays for Children
(adaptation of the full-length play. Published by Puffin (2003). |
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Lady Lollipop.
Adaptation of Dick King-Smith’s book, published by Walker Books. (2005) |
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Fimbles Live.
Adaptation of children’s tv programme (BBC/Novel), London and tour, produced by Fiery Angel Ltd (2005) |
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The Queen’s Handbag.
Play written for Children’s Party at the Palace to celebrate the Queen’s 80th birthday. Performed live in Buckingham Palace Gardens and broadcast by BBC tv. (2006). |
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Danny the Champion of the World
(adapted for the stage from Roald Dahl’s book) Cardiff (2004), London, tour. Published by Samuel French (2006) |
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The Tiger Who Came To Tea.
(adapted from the book by Judith Kerr) London and tour 2008. |
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George’s Marvellous Medicine
(adapted from Roald Dahl’s book) London and tour. 2009.
|
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Danny the Champion of the World: Plays for Children
(adaptation of the full-length play) Puffin 2009. |
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Guess How Much I Love You
(adapted from the book by Sam McBratney) Kingston and tour 2010. |
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Goodnight Mister Tom
(adapted for the stage from Michelle Magorian's book) Chichester 2011, London, tour. Olivier Award 2013, Best Entertainment and Family. Published by Samuel French 2014.
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The Magic Finger
(adapted for the stage from Roald Dahl's book) Washington DC (2013). Published by Samuel French, 2014.
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Coming To England
(adapted for the stage from Floella Benjamin’s book). Birmingham Rep (2022). |
Contributor of plays to books, including Robin Hood and Friar Tuck and Marian and the Witches' Charm, in Playstages, edited by John Alcock, Methuen, 1987. David Wood : Plays 1 and 2 (Anthologies, four plays in each) Methuen, 1999.
CHILDREN'S
FICTION

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The
Operats of Rodent Garden,
illustrated by Geoffrey Beitz,
Methuen (London and New York City), 1984. |
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The
Gingerbread Man
(from Wood's own play), illustrated by
Sally Anne Lambert, Pavilion, (London) Salem House, 1985 and Puffin,
(London) 1987. |
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The
Discorats,
illustrated by Beitz, Methuen, (London) 1985. |
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Poems
in the Kingfisher Book of Comic Verse
Anthology edited
by Roger McGough, Kingfisher, (London) 1986. |
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(With Don Seed) Chish 'n' Fips,
Boxtree, (London)
1987. |
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Sidney
the Monster,
illustrated by Clive Scruton, (hardback)
Walker, (London) 1988, (paperback) Walker (London) 1990. |
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(With
Richard Fowler) Happy Birthday, Mouse!: A First Counting
Book, Grosset, 1990, Hodder & Stoughton, (London)
1991. |
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Save
the Human!
(from Wood's own play), illustrated by Tony
Husband, Hamish Hamilton (London), 1991. |
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Poems in the Much Better Story Book Anthology,
Red Fox, (London) 1992.
|
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(With Richard Fowler) Baby Bear's Buggy Ride (To The Shops) and (To The Park),
Hazar, (London) 1993. |
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Bedtime
Story: A Slip-in-the-Slot Book,
Ingram, 1994, Transworld
(London) 1995 Western Pub. Co (New York City), 1995. Republished as Mole's Bedtime Story, Doubleday 2007 |
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Kingfisher
Pop-up Theatre: Cinderella, Jack and the Beanstalk,
illustrated by Fowler, Kingfisher (London), 1994. |
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Pop-Up
Theater Proudly Presents Cinderella, Jack and the Beanstalk,
Kingfisher (New York City), 1994. |
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(With
Richard Fowler) The Magic Show,
Hazar, (London)
1995. |
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The Christmas Story,
a nativity play, A &
C Black, (London) 1996. |
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(With
Richard Fowler) Mole's Summer Story, Transworld,
(London) 1997. |
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(With Richard Fowler) Mole's Winter Story, Transworld,
(London) 1998. |
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(With Richard Fowler) Silly Spider!,
Transworld,
(London) 1998, Harcourt Brace (San Diego, CA), 1998. |
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The
Phantom Cat of the Opera,
illustrated by Peters Day,
Pavilion (London), 2000, Watson-Gutpill (New York, NY), 2000. |
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(With Richard Fowler) Funny Bunny's Magic Show,
Transworld, (London) 2000 |
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(With Richard Fowler) The Toy Cupboard,
Pavilion,
(London) 2000, Watson-Gutpill (New York, NY), 2001. |
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(With Richard Fowler) Under the Bed,
Tony Potter Publishing (2005), Barron (US) 2006. |
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A Present for Father Christmas
(illustrated by Dana Kubik) Walker Books (London) Candlewick Press (US) 2008. |
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Scary Mary
(With Richard Fowler) Woodfowl Books 2011. |
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The See-Saw Tree
(Illustrated by Joanna Padfield) The Book Guild 2022. |
PLAYS

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(With
David Wright) Hang Down Your Head and Die
(two-act),
produced in Oxford, England, at Oxford Playhouse, in London at
Comedy Theatre, and in New York City at Mayfair Theatre, 1964. |
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Co-wrote The Oxford Line
(two-act) produced on tour and
at the Edinburgh Festival, 1965. |
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(With John Gould) Four Degrees Over
(two-act),
produced in Edinburgh, Scotland, and in London at Mermaid Theatre
and Fortune Theatre, 1966. |
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(With
Mick Sadler and Gould) And Was Jerusalem,
produced
in Oxford, 1966; produced as A Present from the Corporation in
Worcester, England, at Swan Theatre, and in London, 1967. |
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(With
David Wright) A Life in Bedrooms
(two-act),
produced
in Edinburgh at Traverse Theatre, 1967; produced as The Stiffkey
Scandals of 1932 in London at Queen's Theatre, 1968. |
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(With
Gould) Three to One On
(two-act),
produced in
Edinburgh at Edinburgh Festival on tour and BBC2 tv, 1968. |
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(With
Gould) Postscripts
(two-act),
produced in London
at Hampstead Theatre Club, 1969. |
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(With
Gould) Down Upper Street
(two-act), produced
in London at King's Head Theatre Club, 1971. |
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(With
Gould) Just the Ticket
(two-act), produced in
Leatherhead, Surrey, England, at Thorndike Theatre, 1973. |
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Rock
Nativity
(two-act musical; music by Tony Hatch and Jackie
Trent; produced in Newcastle-upon-Tyne, England, at University
Theatre, 1974; produced as A New Tomorrow in Wimbledon, England,
at Wimbledon Theatre, 1976), Weinberger, 1977. |
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(With
Iwan Williams) Maudie
(two-act), produced in
Leatherhead, Surrey, at Thorndike Theatre, 1974. |
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(With
Bernard Price and Julian Sluggett) Chi-Chestnuts
(two-act), produced in Chichester, England, at Assembly Rooms,
1975. |
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(With
Gould) Think of a Number
(two-act), produced
in Peterborough, England, at Key Theatre, 1975. |
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(Coauthor) More Chi-Chestnuts
(two-act), produced in Chichester
at Assembly Rooms, 1976. |
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(With
Gould) Bars of Gould
(two-act revue), produced
in Exeter, England, at Northcott Theatre, 1977. |
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(With
Gould) The Luck of the Bodkins
(two-act; adaptation
of a work by P.G. Wodehouse), produced in Windsor at Theatre Royal,
1978. |
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Abbacadabra
(music by Bjorn Ulvaeus and Benny Andersson, lyrics by Don Black,
Mike Batt, and Ulvaeus), produced in London at Lyric Theatre,
Hammersmith, 1983. |
Also
writer for television, including the series Playaway,
1973-77, Emu's Christmas Adventure, 1977, Writer's
Workshops, Schools' tv, Thames, 1978, Chish
'n' Fips, 1984, Chips' Comic, 1984, Seeing and Doing, 1986, The Gingerbread
Man, adapted from David Wood's play, 1986, The
Old Man of Lochnagar (adapted for TV from David's Wood's
play based on the book by HRH The Prince of Wales), Channel
4, 1987, Back Home (adaptation of the story
by Michelle Magorian), 1989 Watch, schools'
TV series, Spelthorne/BBC, 1992, The Gingerbread Man (animation children's tv series) FilmFair/Central, 1992.
Author
of the screenplay Swallows and Amazons, released
by Anglo EMI Ltd., 1974, and Tide Race, 1990.
Contributor of articles to Drama and London Drama.
Media
Adaptations:
Wood's
stage adaptation of Enid Blyton's books was adapted into the video
production Noddy, BBC Video, 1994.
Lyrics
and Song Writing:
Have you seen Manchester?, 69 Theatre Company,
Manchester, 1969.
Dead Centre of the Midlands, revue, (music by
John Gould), Swan Theatre, Worcester, 1970.
Turn Your Own Sod, revue, (music by John Gould),
Swan Theatre, Worcester, 1972.
The Forest Child (a children's opera based on
the book by Richard Edwards, libretto by David Wood, music by
Derek Clark), commissioned by Welsh National Opera, touring to
primary schools, 1998.
"Sidelights"
Since 1967 I have written approximately 60 plays for children.
It is still a passion and a real challenge. It never gets easier!
My plays are usually written for professional adult actors to
perform in theatres for audiences of children in family and school
parties; but an increasing number of schools put on productions
of their own. I write original plays and adaptations of popular
books. For musical plays I often write the music and lyrics of
the songs.
My
aims haven't changed. I am trying to give children an exciting,
memorable theatre experience by triggering their imaginations,
making them laugh and sometimes cry, emotionally involving them
in a really good story. I want to use the magic of theatre - the
lighting, the sound, the scenery, the costumes, the music, the
movement, to provide a unique, special event; this is why I prefer
to work in theatres rather than schools - in theatres I have more
control! I produce and direct many of my plays for my own company,
Whirligig Theatre (founded with John Gould in 1979), and for other
companies, both commercial and subsidised.
Over
the years, children's theatre in the UK has achieved a somewhat
higher status and profile than in the days when I started. There
are more companies and more dedicated practitioners. But the attitude
shown towards children's theatre by everyone - the public, the
theatrical profession, critics and funding bodies, still relegates
it to the second division rather than hailing it as the exciting
and groundbreaking art form it can be. Children's theatre is not
just a means to an end, a way of building up an audience for adult
theatre of the future. It is an important branch of theatre which
should be celebrated and supported now. It should not be an optional
extra, nourished when funds allow, but the first to be dropped
when money is tight. One of the problems is always money, because
children's theatre is often costly to mount, yet the rightly low
seat price yields far less at the box office than an equivalent
adult show.
But,
in fairness, over the 35 years I have specialised in this area,
the quantity and quality of theatre for children in the UK has
undoubtedly gone up considerably.
I
am fortunate in that many of my plays are performed all over the
world; my work is becoming more popular now in the United States.
And, since writing my book, THEATRE FOR CHILDREN : GUIDE
TO WRITING, ADAPTING, DIRECTING AND ACTING, published
by Faber and Faber in the UK and Ivan R. Dee Inc. in the United
States, I have been asked to lecture and do workshops in Chicago,
San Diego, Shreveport and New York.
Since the late 1980s I have also written children's books, many in collaboration with Richard Fowler, illustrator and paper engineer. School visits give me great pleasure. I try to enthuse children with the message, "Books are Fun", using my own books and stories. For the last 20 years I have also toured THE DAVID WOOD MAGIC AND MUSIC SHOW to theatres all over the UK. This takes me back to my roots- entertaining at children's parties was how I started my career in my teens. In 2002 I was delighted to be promoted by the Magic Circle to become Member of the Inner Magic Circle with Gold Star, for my services to children's magic.

DAVID
WOOD
July 2009
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